This project takes space, the body, and the act of viewing as its central thread, constructing a cyclical structure concerning visibility and privacy. The photographs are produced in an open studio in which a bedroom—a space usually considered private, everyday, and not meant to be observed—is constructed.
The studio itself is a site where production and display coexist, inherently characterized by a high degree of openness. When the bedroom is placed within this environment, privacy no longer originates from real life but becomes a constructed and arranged condition. It exists within a fully visible setting, where its “privacy” depends only on spatial symbols and visual perception, rather than on any genuine form of concealment.
Within this constructed bedroom, the photographed figure is not treated as a subject but is closer to the presence of an object or item. The body exists on the same level as the bed, drawers, and lighting fixtures, positioned within the spatial arrangement. Actions are reduced to their minimal units: standing, lying down, remaining still.
This approach draws on a behaviorist perspective—it does not focus on internal emotions or psychological narratives, but instead presents only observable behaviors and states.